- Current students
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Senior Lecturer - Language Studies, School of Bridgepoint
School of Bridgepoint
PhD in Asian Studies.,MA.,PG Dip Arts, BA, CLTA
Gong, Hong-yu. (2020). Hao Luyi zai Hua shigong zuanyao (In the Shadow of Yang Yinliu: Louise Strong Hammond, translation of Classical Chinese poetry, and the indigenisation of Christian liturgical music). Huangzhong (Journal of the Wuhan Conservatory of Music) (Vol. 2).
Gong, Hong-yu., & Deiwiks, Shu-Jyuan. (2020). Boen Dongya yanjiuyuan suo cang Wang Guangqi liu De ziliao jiqi yanjiu jiazhi (Archival Resources of Wang Guangqi at Ostasien-Institut, Bonn). Yinyu tansuo (Explorations in Music) (Vol. 3).
Gong, Hong-yu. (2019). Qingdai jin Zang xiren zhushu zhong de Zangzu yinyue (Tibetan music in the writings of Western visitors to Tibet during the Qing dynasty 清代进藏西人著述中的藏族音乐). Journal of the Central Conservatory of Music (Vol. 1).
Gong, H-Y. (2017). Timothy and Mary Richard, Chinese music, and the adaptation of Tonic Sol-Fa method in Qing China. Journal of Music in China (Vol. 7(2)).
Gong, H-Y. (2017). Jianqiao xuezhe Mu A De yu Zhongguo yinyue 剑桥学者慕阿德与中国音乐 (Cambridge scholar Arthur Christopher Moule and his scholarly works on Chinese music). Zhongyang Yinyue Xueyuan Xuebao (Journal of the Central Conservatory of Music) (Vol. 2).
Gong, Hong-yu. (2017). Qingchu laihua tianzhujiaoshi yu xiyue dongjian 清初来华天主教士与西乐东渐--西文有关徐日昇、德里格研究回顾 (Tomás Pereira, Théodoric Pedrini and the Transmission of Western music in Early Qing China -Historiography and a Global Perspective). Zhongguo yinyue xue (Musicology in China) (Vol. 3).
Gong, Hong-yu. (2017). 牛津大学饱蠹楼图书馆所藏十九世纪中国音乐教材述略 (Musical teaching texts in Chinese preserved at the Bodleian's Library, Oxford University). Yinyue tansuo (Explorations in Music) (Vol. No. 4).
Gong, Hong-yu. (2017). Wang Guangqi 王光祈: the man who introduced the Berlin School of Comparative Musicology to China. A Roundtable Discussion Paper delivered at The 20th Congress of the International Musicological Society, 19-23, Tokyo 2017 (IMS 2017 in Tokyo), Tokyo, Japan.
Gong, Hong-yu. (2017). Yang Yinliu yu qi Zhong Wai shiyou 杨荫浏与其中外师友 (Yang Yinliu and His Circle of Chinese and Foreign Teachers and Friends). Yunnan Yishu Xueyuan Xuebao （Journal of Yunnan Arts Institute) (Vol. 2).
Gong, H-Y. (2017). Haishang yueshi: Shanghai kaibuhou xiyang yueren, yueshi kao (1843-1910) 海上乐事：上海开埠后西洋乐人、乐事考（1843-1910）The Soundscapes of Shanghai: An Investigation of the Western Musicians Active in Shanghai During its Early Treaty Port Period, 1843-1911. Shanghai, Shanghai Conservatory of Music Press (Vol. N/A).
Gong, H-Y. (2017). "Xiyue dongjian" -Beiduofen zuopin zai shijiu shiji bajiushi niandai Shanghai de yanzou shili kao (The performances of Beethoven's works in semi-colonial Shanghai, 1880-1899) (西乐东渐
--贝多芬作品在19世纪八十、九十年代上海的演奏实例考). Huangzhou (Yellow Bell - Journal of Wuhan Conservatory of Music) (Vol. 1).
Gong, Hong-yu. (2016). Hymnals and Hymnody in Late Qing and Early Republican China. Journal of Music in China (Vol. 6. 2).
Gong, H-Y. (2016). Music to Teach and Transform. Journal of Music in China (Vol. 6(1)).
Gong, H. (2015). Musical Education at the Dengzhou Boys' School and the Work of Julia B. Mateer. Journal of Music in China (Vol. 5(1)).
Gong, H. (2015). More than a bridge builder. J. Shennan, G. Whitehead and S. Askew. Wellington, New Zealand.
Gong, H. (2015). Disseminating Chinese Music in New Zealand - Jack Body and China, 1985-2015. International Symposium:Global Perspectives of Chinese Music in the Internet Age, Ningbo University, Zhejiang, China.
Gong, H., & Vogel, S. (2015). Maurice Courant and the Study of Chinese Music in Early 20th Century France - The Case of Essai historique sur la musique classique des Chinois. Yinyue yanjiu Music Research (Vol. 4).
Gong, H. (2015). Exhibiting China: The Chinese Maritime Customs and the Representation of Chinese Music at the 1884 London International Health Exhibition. Journal of the Central Conservatory of Music (Vol. 2).
Gong, H. (2015). Public Lecture: Beginnings of Beethoven in Shanghai 1861-1880. Graduate School of Musicology, Taiwan National University, Taipei, Taiwan.
Gong, H. (2014). From Cantonese Goldminers to Tan Dun The Transmission of Chinese Musical Culture in New Zealand. Journal of Xinhai Conservatory of Music (Vol. 3(136)).
Gong, H. (2014). Chinese Music and Musical Practice in the Eyes of Western Travellers to China. Yinyue yanjiu (Music Research) (Vol. 4).
Gong, H. (2014). Church activities in the life of foreign residents in Shanghai's International Settlement and the French Concession, 1843-1911. Yinyue Yishu (Vol. 2).
Gong, H. (2014). Tanabe Hisao's Ethnomusicological Work in Korea, Taiwan and the Chinese Mainland and Its Significance. Zhongguo yinyue (Vol. 1).
Gong, H. (2013). Imparting China: Some Reflections on Five Decades of Chinese Language Teaching in New Zealand. Proceedings of the 11th International Conference on Chinese Language Pedagogy. Chengdu: Sichuan University Press.
Gong, H. (2013). Protestant Missionaries and Chinese Music: The Case of George T. Lay (1800-1845). Chinese Music (Vol. 1).
Gong, H., and Wen, Y. (2013). Louis Laloy and His La Musique Chinoise. Journal of the Central Conservatory of Music (Vol. 3).
Gong, H. (2013). The Unlikely Cultural Ambassadors: Chinese Goldminers and Music Making on the Otago Goldfields. Journal of Xinghai Conservatory of Music (Vol. 4).
Gong, H. (2013). Misreading, Omission and Exaggeration in Studies of Sino-Western Musical Interaction - The Case of Molihua. Music Research (Vol. 1).
Gong, H. (2013). Missionaries and Chinese Gongche Notation. Explorations in Music (Vol. 1).
Gong, Hong-yu (2012). Review of Music in Ancient China: An Archaeological and Art Historical Study of Strings, Winds, and Drums during the Eastern Zhou and Han Periods (770 BCE - 220 CE) by Ingrid Furniss. Journal of Xinghai Conservatory of Music (Vol. No. 128 (Sum., 2012)).
Gong, H. (2011). Robert Hans van Gulik and Chinese music. Lin Chen ed., Qinxue liushi nian lunwen ji (Collection of Essays on the Study of the Qin from the last sixty years), Beijing: Wenhua yishu chubanshe (Vol. 2).
Gong, H. (2011). "Storm" in Shanghai: Ethnicity and Self-Exoticism in China's Entertainment Industry. "Cool New Asia: Asian Popular Culture in a Local Context", (25-26 November 2011, Unitec Institute of Technology, Auckland, New Zealand).
Gong, H. (2011). To Sing for the Nation: Japan, School Song and the Forging of A New National Citizenry in Late Qing China, 1895-191. New Zealand Journal of Asian Studies, Vol. 13, Number 2, pp. 36-51.
Gong, H. (2011). Westerners and Chinese Music: The Cases of Robert Hans van Gulik, Laurence Ernest Rowland Picken, and Fritz A. Kuttner. Journal of the Tianjin Conservatory of Music (ISSN 1008-2530), No. 3, pp. 53-64, 83.
Gong, H. (2011). Hymnbooks in the Microfilms of the Harvard-Yenching Collection of Protestant Missionary Works in Chinese - A Preliminary Study. Journal of the Wuhan Conservatory of Music, No. 3, pp. 323-329, 364.
Gong, H. (2011). Liang Qichao, Japan and the Use of Military Songs in the Forging of a New People. The 19th New Zealand Asian Studies Society International Conference (Massey University, Palmerston North, 2- 4 July 2011), https://eiconferences.massey.ac.nz/ei/viewpdf.esp?id=41&file=c:Eventwindocspdf
Gong, H. (2010). "Zhonghua zhishifengzhi de dianfan, Shaonian Zhongguo jingshen de huashen_Shaonian Zhongguo xuehui huiyuan yanzhong de Wang Guangqi" (Embodying the Young China Ideal: Wang Guangqi in the Eyes of the Members of the Young China Association). Yinyue tansuo (Journal of the Sichuan Conservatory of Music), ISSN1004-2172 (Vol. 1).
Gong, H. (2010). "Qian Deming, Zhu Zaiyu yu Zhongguo liyi yuewu zhi xijian" (Jean Joseph-Marie Amiot, Prince Zhu Zaiyu and Chinese Ritual Dances in Europe: Reflections on Recent Publications Concerning Music and Ritual in Cultural Exchange between China and Europe). Zhongyang yinyue xueyuan xuebao (Journal of the Central Conservatory of Music), ISSN:1001-9871 (Vol. 2).
Gong, H. (2010). "To Sing for the Nation: Japan, School Songs and the Forging of A New National Citizenry in Late Qing China, 1891-1911". The Association for Asia Studies Annual Meeting, Philadelphia, USA, 25-28 March 2010.
Gong, H. (2010). "Japan, School Songs and the Making of A New National Citizenry in Late Qing China". Constructing China's Nationhood-Music and Transmission in East Asia, University of Hong Kong, April 2010.
Gong, H. (2009). "Du Jiade de yuelishu xilie yu xiyang yueli zhi dongchuan": Carstairs Douglass and the Introduction of Music Pedagogy in Late Qing China. Yinyue yanjiu (Music Research), ISSN0512-7939 (Vol. 1 Spring).
Gong, H. (2009). To Sing the Praise of the Lord: Prostestant Missionaries and Music Pedagogy in Nineteenth-centry China, presented at "East Meets West--Sino-Western Musical Relations / Intersections / Receptions" (April 16-19, 2010 Hong Kong Baptist University, Hong Kong). East Meets West: International Conference in Music.
Gong, H. (2008). 'Chuanjiaoshi yu Zhongguo yinyue' (Missionary pragmatism and Chinese music - The case of Edward Soothill). Huangzhong (Journal of the Wuhan Conservatory of Music), ISSN 1003-7721 (Vol. 1 Spring).
Gong, H. (2007). "Jidujiao chuanjiaoshi yu Zhongguo xuexiao yinyue jiaoyu zhi kaichuang" (Christian missionaries and the beginnings of modern music teaching in Chinese schools). Yinyue Yanjiu (Music Research), ISSN0512-7939. Nos 124 & 125, pp. 5-17; 40-46. (Vol. 124).
Gong, H. (2007). Picken he ta de Zhongguo yinjiu from microbiology to musicology: Laurence Ernest Rowland Picken (1909-2007) and his scholarly works on medieval Chinese court music. Zhongyang yinyue xue xuebao (Journal of the Central Conservatory of Music), ISSN:1001-9871 (Vol. 109).
Gong, H. (2007). "Jidujiao chuanjiaoshi yu zhongguo xuexiao yinyue jiaoyu zhi kaichuang: Xuexiao yinyue de zhidu hua" (Missionaries and the beginnings if modern music teaching in Chinese schools: The institutionalisation of music teaching). Yinyue Yanjiu (Music Research), ISSN0512-7939 (Vol. 125).
Gong, H. (2005). Dai cuilun. In K.-H. Han (Ed.), Yinyue yanjiu (Music Research) (pp. 121-123).
Gong, H. (2005). Wang Guangqi yu Deguo hanxuejie (A Confucian in a foreign land: Wang Guangqi and German sinologists of the 1920's and 1930's). Zhongguo yinyuexue (Musicology in China) (2), 75-86.
Lee, H., & Gong, H. (2005). Musical paintings in a fourth century Korean tomb. Part II. Huangzhong (Yellow Bell: Journal of Wuhan Conservatory of Music) (1), 111-114.
Gong, H. Y. (2004). A Confucian in a foreign land: Wang Guangqi and German sinologists of the 1920s and 1930s. Presented to the Annual Conference of Historians of Chinese Music and Culture, 8-11 October, Huang Chow, China.
Gong, H. Y. (2004). Early missionary efforts to translate concepts of Western music into Chinese and Chinese musical terms into English. Presented to the International Conference: Missionaries & Translation: Sino-Western cultural exchanges in early modern times (1840-1950), 23-25 May, Beijing, China.
Gong, H. Y. (2004). Annotated Chinese Translation of Lee Hye-Ku, 'The mural of playing music in the Anyue Tomb No. 3 in Korea. Huangzhong: Journal of Wuhan Conservatory of Music, 4, 111-114.
Gong, H. Y. (2004). Book review: Pianos and politics in China: Middle-class ambitions and the struggle over Western music, by R. C. Kraus. Musicology in China, 74, 138-141.
Gong, H.-Y. (2003). Book review: Yellow Music: Media Culture and Colonial Modernity in the Chinese Jazz Age, by A. F. Jones (Duke University Press, 2001). Music Research (4), 85-88.
Gong, H. (2002). Studies made by Korean and Western scholars on ancient Chinese music spread in Korea. Musicology in China, 3, 93-104.