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Gina Hochstein

Lecturer
School of Architecture

Publications

Hochstein, G., & Pretty , A. C. (2025, October 3). Textures of Innovation: Crushed Glass Terrazzo, and Digital Trace: Tibor Donner Studio [Paper presentation]. AASA (Association of Architecture Schools of Australasia): AASA Modernism Collaborative : Modernity, Materials, Materiality. A Symposium Jointly presented by AASA , and Unitec School of Architecture Hosted by AUT University.

Hochstein, G. (2025, January). Investigating the Spectrum of Gender and Ornamentation through Making. [Paper presentation]. AMPS: Representation in Creative Pedagogy: The arts, humanities and design, USA, Chile, Indonesia.

Hochstein, G. (2025, May). Modernist Glazing Technology Used as a Political Narrative [Paper presentation]. 8th International Conference of Contemporary Affairs in Architecture and Urbanism, Alanya University, Turkey.

Pretty, A. C., & Hochstein, G. (2025). The Modernist Dream of Livability (California + Titirangi). In AMPS Proceedings Journal Series (39.2) (Ed.), Livable Cities-London, University of London City, AMPS (Architecture Media Politics Society) (pp. pp281-301). https://amps-research.com/wp-content/uploads/2025/03/Amps-Proceedings-Series_39.2.pdf

Hochstein, G., & Pretty, A. (2025, November). Glitched Bodies: Aberrant Distortions, Machine Vision, and Spatial Dislocation [Poster presentation]. 5th International Research Symposium: The Apparatus; The Role of Technology in Illustration, Koç University, Istanbul.

Hochstein, G. (2025). The Orr Walker Ring _NJW Marketing. [Design Output]. Kay van Dyk, the Creative Director of Nelson Jewellery Week (NJW): Nelson, New Zealand.

Hochstein, G., Patel, Y., Shepherd, V., Salas, C., & Encela, D. (2025). Mawhitiwhiti: Jumping From Feathers to Leaves. [1:1 structure]. Group exhibition. Curated by M. Liggins, Urban Art Village, Britomart, Auckland, 3031 October.

Shepherd, V. S. G., Patel, Y., Salas, C., Hochstein, G., & Encela, D. (Curator). (2025). Mawhitiwhiti: Jumping from feathers to Leaves. [1:1 structure]. Group exhibition. Curated by D. Encela, Urban Art Village, Britomart Auckland, 30-31 October.

Shepherd, V. S. G., Patel, Y., Salas, C., & Hochstein, G. (Curator). (2025). Women as Maker. [Posters of 6 x makers from Unitec and 16 x student made models]. Group exhibition. Curated by G. Hochstein, ASC Architects, Auckland, 20-21 September.

Hochstein, G. (Curator), Patel, Y., Shepherd, V., & Salas, C. (2025). Women as Maker - Exhibition. [Posters of x6 makers from Unitec and x16 student made models]. Group exhibition. Curated by G. Hochstein, ASC Architects, Auckland, 20-21 September.

Hochstein, G. (2025). Ornamentation _Nelson Jewellery Week. [PhD output presented as part of Nelson Jewellery Week. Invitation from Kay van Dyk, the Creative Director of Nelson Jewellery Week (NJW)]. Solo exhibition. Curated by Kay van Dyk, the Creative Director of Nelson Jewellery Week (NJW), Te Pukenga NMIT gallery, Nelson, 10-16 April, 2025.

Beardman, S., & Hochstein, G. (2025). Nelson Jewellery week 2025: New Zealand jewellery week. Filings Newsletter.

Hochstein, G. (2025, April, 11). _Ornamenting the Body. [Paper presentation]. NZIA Nelson and A+W.NZ, Nelson, New Zealand.

Hochstein, G. (2025, April, 10). Floor Talk _ Jewellery and Titirangi modernism through the lens of gender. [Paper presentation]. Nelson Jewellery Week, Nelson.

Hochstein, G., & Pretty, A. (2025). Worn and Framed: Whimsey in the Territorialization of Architectural and Jewellery Spaces. In Dr Ana Ionascu, Dr George Themisokleous (Eds.), Territorial Inscriptions: Drawing Out Bodies (pp. pp. xx-xx). UK.

Hochstein, G. (2024, June). Ornamenting the body_creative practice exploring the relationship of body politic and space [Paper presentation]. INPRESENCE /THE BODY AND THE SPACE // EURAU24 MILAN Conference, 19-22 JUNE 2024. Milan, Italy.

Hochstein, G. (2024, May). Ornamenting the body _ Creative Practice exploring the relationship of body politic and space. [Paper presentation]. WCWS 2024_10th World Conference on Women’s Studies, Colombo, Sri Lanka (virtually).

Hochstein, G., & Pretty, A. (2024, November). Worn not worn: Recombinations; Boundaries, Territorialisation and Scale in Architecture and Jewellery [Paper presentation]. Three Providers History Theory and Heritage Research Symposium, Auckland.

Patel, Y., Hochstein, G., & Salas, C. (2024). Unitec School of Architecture Display. [Design Output]. Build NZ | Facilities Integrate | The National Saftey Show: Auckland, New Zealand.

Hochstein, G. (2024). Ornamenting the Body_Creative Practice exploring the relationship of Body Politic and Space. Scope_Art + Design, 26 | June/July, 51-57.

Hochstein, G. (2024). The Womb Chair Speaks. Architecture New Zealand, May/June 2024, 94.

Hochstein, G. (Co)-Chair, & Pretty, A. C. ((Co))-Chair. (2024). Co-Chair Exploring the Intersection of Building as Body and Body as Adornment. Australian National University. Canberra, Australia.

Hochstein, G. (2024, September). Ornamenting the Body. [Paper presentation]. NZIA Archtecture Week, ObjectSpace, Auckland.

Hochstein, G., & Douglas, A. (2023, April). In the shadow of the Picture Window: A Consideration of the Domestic as Counter-Exhibition [Paper presentation]. The Exhibition as Interior_Identity and Habitation: Modern Interiors Research Centre. The Modern Interiors Research Centre, Kingston University, London, UK.

Hochstein, G., & Douglas, A. (2023, May). In the Shadow of the Picture Window: A consideration of the Domestic as Counter-Exhibition [Paper presentation]. Modern Interiors Research Centre, Kingston University, UK The Exhibition as Interior – Online Conference, London- United Kingdom.

Hochstein, G., & Pretty, A. C. (2023, December). Regional Modernism – Titirangi, Aotearoa and West Hollywood, California [Paper presentation]. The 2023 AAANZ Conference, Queensland College of Art, Griffith University.

Hochstein, G. (2023). A short history of the kitchen. May. Auckland, New Zealand.

Hochstein, G. (2023, April). 100 Years: The Evolution of the Kitchen. [Paper presentation]. Architecture + Women . NZ, Blum, Avondale.

Hochstein, G. (2022, November). Abstraction of female creativity within Modernism in Titirangi [Paper presentation]. West Auckland Heritage Conference _ Trailblazers, Titirangi War Memorial Hall, West Auckland.

Hochstein, Gina. (2022, November). Hearing Through Images: Tales from a Bush-Elicited Modernism [Paper presentation]. Stout Research Centre for New Zealand Studies & National Oral History Association of New Zealand (NOHANZ) Te Kete Kōrero-a-Waha o Te Motu, Te Herenga Waka Victoria University of Wellington.

Hochstein, G. (2022, March). Impingement of women through the lens of architecture and jewelry. [Paper presentation]. IAWA: INTERNATIONAL ARCHIVE OF WOMEN IN ARCHITECTURE CENTER, Virginia, USA.

Hochstein, G. (Artist) (2022, April). [Silver and composite metals: Corset ring, apparel ring, collar, copper head wrap, body armour, landscape ring, fenestration ring, Untiled 1, 2,3 and 4.]. Solo exhibition. Curated by Gina Hochstein, Upstairs Gallery, Te Uru, Titirangi, Auckland, 8 April - 1 May.

Hochstein, G. (2022). Raphaela Rose: Responses to our Environment. ObjectSpace: Exhibtion Toro Whakaara, 1, 26-29.

Hochstein, G., Gatley, J., & Davis, M. (2021). Gone West: The Middleton House, Grafton (1960-61) and Waiatarua (1968-69). Fabrications, 31:3, 306-335. DOI: 10.1080/10331867.2021.2006430

Hochstein, G., & McKay, B. (2020). Alien subversives. NZ Architecture Magazine, January, Issue 1, 0-0.