{"id":2933,"date":"2017-12-21T19:00:26","date_gmt":"2017-12-21T06:00:26","guid":{"rendered":"http:\/\/www.unitec.ac.nz\/epress\/?p=2933"},"modified":"2018-03-12T14:42:56","modified_gmt":"2018-03-12T01:42:56","slug":"puratoke-journal-of-undergraduate-research-in-the-creative-arts-and-industries-issue-1-2017","status":"publish","type":"post","link":"https:\/\/www.unitec.ac.nz\/epress\/index.php\/puratoke-journal-of-undergraduate-research-in-the-creative-arts-and-industries-issue-1-2017\/","title":{"rendered":"P\u016br\u0101toke Journal of Undergraduate Research in the Creative Arts and Industries, issue 1, 2017"},"content":{"rendered":"

\"\"<\/a><\/p>\n

P\u016br\u0101toke: (Maori: 1. (verb) to glow, gleam \/\u00a0<\/span>2. (noun) <\/span>glowworm \/ 3. (noun) <\/span>bright spark, clever person).<\/p>\n

P\u016br\u0101toke <\/span><\/em>is an online, peer-reviewed journal, dedicated to the publication of high-quality undergraduate student research within the creative arts and industries.<\/p>\n

This pilot issue,\u00a0edited by Scott Wilson and Samuel Holloway,<\/span>\u00a0features the work of eleven emerging researchers from key tertiary institutions in Aotearoa New Zealand.<\/p>\n

Click here to read\u00a0P\u016br\u0101toke<\/span><\/em> issue 1<\/a>.<\/span><\/p>\n

Caitlin Lynch, Post-colonial New Zealand Cinema: Gothic aesthetics and the repression of P\u0101keh\u0101 violence in Fantail <\/em><\/a><\/p>\n

Georgia Scott, Xala<\/em> (1975): A close textual analysis<\/a><\/p>\n

Hamish Parker, Post-modern Westerns and the Endangered Woman<\/a><\/p>\n

Jesse Austin-Stewart, Creating Interfaces for Live Octophonic Spatialisation of Sound<\/a><\/p>\n

Kerri-Lyn Wheeler, Examining Sex and Climaxes in Blue is the Warmest Colour <\/em>and Carol<\/em><\/a><\/p>\n

Rebecca Hawkes, Local Nazis in your Area: Public shaming and communal disgust in the doxing of white nationalists at Charlottesville<\/a><\/p>\n

Holly Walker, My female body.<\/a><\/p>\n

Luka Venter, Evocations of the Other: Treatments of the exotic and the feminine in nineteenth-century music \u2013 The redemption of Sheherazade<\/em><\/a><\/p>\n

Matthew Everingham, Orchestrating Film: The contrasting orchestral-compositional approaches of Bernard Herrmann and John Williams and their modern legacy<\/a><\/p>\n

Molly Robson, Politics, Affect and Intimacy: The mediated sentencing of Metiria Turei<\/a><\/p>\n

Samantha Smith, How can Herman and Chomsky\u2019s Ideas Function in a Post-communist World?<\/a><\/p>\n

P\u016br\u0101toke\u00a0<\/span><\/em>submission criteria<\/a>.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

P\u016br\u0101toke: (Maori: 1. (verb) to glow, gleam \/\u00a02. (noun) glowworm \/ 3. (noun) bright spark, clever person). P\u016br\u0101toke is an online, peer-reviewed journal, dedicated to the publication of high-quality undergraduate student research within the creative arts and industries. This pilot… Continue Reading →<\/a><\/p>\n","protected":false},"author":11,"featured_media":2935,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[26,20,3],"tags":[95,58,345,341,342,343,332,351,340,328,327,333,68,347,355,106,334,338,339,331,344,352,225,203,353,330,94,348,357,350,356,354,337,199,324,326,325,349,346,130,336,57,28,329,335],"class_list":["post-2933","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-featured-publications","category-journals","category-publications","tag-aotearoa","tag-auckland","tag-bernard-herrmann","tag-blue-is-the-warmest-colour","tag-carol","tag-chomsky","tag-cinema","tag-climax","tag-composition","tag-creative-arts","tag-creative-industries","tag-cultural-studies","tag-epress","tag-exoticism","tag-female-body","tag-feminism","tag-feminist-studies","tag-film-music","tag-film-scores","tag-film-studies","tag-herman","tag-john-williams","tag-journal","tag-journals","tag-metiria-turei","tag-music-theory","tag-new-zealand","tag-nineteeth-century-music","tag-online","tag-orgasm","tag-performance-art","tag-port","tag-postmodern-westerns","tag-publications","tag-puratoke","tag-samuel-holloway","tag-scott-wilson","tag-sex","tag-sheherazade","tag-sociology","tag-sound-spatialisation","tag-unitec","tag-unitec-epress","tag-visual-arts","tag-women-studies"],"_links":{"self":[{"href":"https:\/\/www.unitec.ac.nz\/epress\/index.php\/wp-json\/wp\/v2\/posts\/2933","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.unitec.ac.nz\/epress\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.unitec.ac.nz\/epress\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.unitec.ac.nz\/epress\/index.php\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/www.unitec.ac.nz\/epress\/index.php\/wp-json\/wp\/v2\/comments?post=2933"}],"version-history":[{"count":31,"href":"https:\/\/www.unitec.ac.nz\/epress\/index.php\/wp-json\/wp\/v2\/posts\/2933\/revisions"}],"predecessor-version":[{"id":3014,"href":"https:\/\/www.unitec.ac.nz\/epress\/index.php\/wp-json\/wp\/v2\/posts\/2933\/revisions\/3014"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.unitec.ac.nz\/epress\/index.php\/wp-json\/wp\/v2\/media\/2935"}],"wp:attachment":[{"href":"https:\/\/www.unitec.ac.nz\/epress\/index.php\/wp-json\/wp\/v2\/media?parent=2933"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.unitec.ac.nz\/epress\/index.php\/wp-json\/wp\/v2\/categories?post=2933"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.unitec.ac.nz\/epress\/index.php\/wp-json\/wp\/v2\/tags?post=2933"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}